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Stefanie De Vos
(Curriculum Vitae)

Stefanie De Vos paintings originate from the memory of landscapes combined with collages from both of her personal history and the history of painting. The action of painting is driven by a search for a balance between the movement captured within the body and more calculated actions as reactions on the primar gestures. Graphic elements and painterly patches interfere with each other to reach a multilayered painting in which the movement of the eye is ‘ad infinitum’.  The movement goes beyond marked passages and does not seem to reach a privileged end; there is no last sign, no last word, no last meaning. There is an analogy with music through the use of rhythm, counterpoint and repetitive motifs. 


Stefanie De Vos